Scope Filmography
American Widescreen Museum
Once again, I'm grateful to correspondent S Martin for his significant contribution to this update, in both the list of new titles (below) and corrections to established entries (further down). I'm especially grateful for his caution about 'regular' 15-perf IMAX and not-so-regular Digital IMAX, which can make all the difference in the world when it comes to the exhibition of individual films. I'll try and keep an eye on those notations from this point forward.
AUSGERECHNET SIBIRIEN
(aka: Lost in Siberia)
Germany/Russia - 2012 - col
D: Ralf Huettner
THE COWARDS WHO LOOKED TO THE SKY
ふがいない僕は空を見た
Japan - 2012 - col
D: Yuki Tanada
THE DEFLOWERING OF EVA VAN ENDE
(see: Ontmaagding van Eva van Ende, De)
DON JON'S ADDICTION
USA - 2013 - col
D: Joseph Gordon-Levitt
EASTALGIA
Germany/Ukraine/Serbia - 2012 - col
D: Daria Onyshchenko
FRISCH GEPRESST
Germany - 2012 - col
D: Christine Hartmann
FÜNF FREUNDE
Germany - 2012 - col
D: Mike Marzuk
FÜR ELISE
Germany - 2012 - col
D: Wolfgang Dinslage
GANGSTER, GELD & ROCK'N'ROLL
Germany - 2012 - col
D: Lars Oppermann
GREY SHEEP
Germany/USA - 2012 - col
D: Nikolai Schwierz
DER GRÜNDER
Germany - 2012 - col
D: Eric Hordes
HANNI & NANNI 2
Germany - 2012 - col
D: Julia von Heinz
HEITER BIS WOLKIG
Germany - 2012 - col
D: Marco Petry
IN DIESEM MOMENT
Germany - 2012 - col
D: Rick L. Winters
JACK RYAN
USA - 2013 - col
D: Kenneth Branagh
Panavision
KILL ME
(see: Tue-Moi)
DIE KIRCHE BLIEBT IM DORF
Germany - 2012 - col
D: Ulrike Grote
KOHLHAAS ODER DIE VERHÄLTNISMÄßIGKEIT DER MITTEL
Germany - 2012 - col
D: Aron Lehmann
KUNDUZ
Germany/Afghanistan - 2012 - col
D: Stefan Gieren
LEGEND OF HELL
Germany - 2012 - col
D: Olaf Ittenbach
THE LEGEND OF HELL'S GATE: AN AMERICAN CONSPIRACY
USA - 2011 - col
D: Tanner Beard
LET GO
USA - 2011 - col
D: Brian Jett
LITTLE THIRTEEN
Germany - 2012 - col
D: Christian Klandt
THE LONE RANGER
USA - 2013 - col
D: Gore Verbinski
Panavision
LOST IN SIBERIA
(see: Ausgerechnet Sibirien)
DIE MÄNNER DER EMDEN
(aka: Odyssey of Heroes)
Germany - 2012 - col
D: Berengar Pfahl
MANN TUT WAS MANN KANN
Germany - 2012 - col
D: Marc Rothemund
NAIROBI HALF LIFE
Kenya/Germany - 2012 - col
D: David 'Tosh' Gitonga
NATURE CALLS*
USA - 2012 - col
D: Todd Rohal
Anamorphic (HD)
ODYSSEY OF HEROES
(see: Männer der Emden, Die)
OFFROAD
Germany - 2012 - col
D: Elmar Fischer
OMAMAMIA
Germany - 2012 - col
D: Tomy Wigand
DE ONTMAAGDING VAN EVA VAN ENDE
(aka: The Deflowering of Eva van Ende)
Netherlands - 2012 - col
D: Michiel ten Horn
TRADE OF INNOCENTS
USA/Thailand - 2012 - col
D: Christopher Bessette
TUE-MOI
(aka: Kill Me)
France/Germany/Switzerland - 2012 - col
D: Emily Atef
A number of the following corrections and updates were first listed here in the blog, and I've provided a link to the relevant entries in each case. Those entries have all been amended to reflect current information.
À PERDRE LA RAISON and HOUSE AT THE END OF THE STREET (see here and here) are both Techniscope rather than 'spheri-crop', as originally listed.
CHAINED was actually shot on HD with unidentified anamorphic lenses.
DOROTHY (Technovision) and LYMELIFE (J-D-C Scope) were both shot with anamorphic lenses rented from Panavision, giving rise to some confusion when originally listing the films as having been 'shot' in Panavision.
The Large Format versions of FINAL DESTINATION 5 and RAIDERS OF THE LOST ARK were exhibited in Digital IMAX only.
UN PLAN PARFAIT was shot in Panavision.
[•REC]³: GÉNESIS is 1.85:1 for the first 20 minutes, then opens out into scope format. Also, the on-screen copyright date is 2011, not 2012 as originally listed.
Most of TAKEN 2 was shot in 'spheri-crop' format, though a significant chunk was also shot in Panavision.
Despite what I listed in its original entry, no 35mm prints were struck for the 3-D version of TITANIC (1997).
LES TRIBULATIONS D'UNE CAISSIÈRE was shot with a range of anamorphic lenses, including Technovision.
À PERDRE LA RAISON
(aka: Loving Without Reason)
(aka: Our Children)
Belgium/Luxembourg/France/Switzerland - 2012 - col
D: Joachim Lafosse
Techniscope
CHAINED*
USA - 2012 - col
D: Jennifer Lynch
Anamorphic (HD)
DOROTHY
(aka: Dorothy Mills)
France/Ireland - 2008 - col
D: Agnès Merlet
Technovision
FINAL DESTINATION 5
USA - 2011 - col and 3-D
D: Steven Quale
D-Cinema, 35mm and Digital IMAX 3-D release prints
HOUSE AT THE END OF THE STREET
USA - 2012 - col
D: Mark Tonderai
Techniscope
LYMELIFE
USA - 2008 - col
D: Derick Martini
J-D-C Scope
UN PLAN PARFAIT
(aka: Fly Me To the Moon)
France - 2012 - col
D: Pascal Chaumeil
Panavision
RAIDERS OF THE LOST ARK
USA - 1981 - col
D: Steven Spielberg
Panavision
35mm and 70mm release prints
6-track Dolby Stereo
2.39:1 (35mm)
2.20:1 (70mm blow-up)
[Digital IMAX version released in 2012]
[•REC]³: GÉNESIS
Spain - 2011 - col
D: Paco Plaza
Hawk Scope (HD) [partly]
1.85:1 - 2.39:1
TAKEN 2
France - 2012 - col
D: Olivier Megaton
Super 35 / Panavision
TITANIC
USA - 1997 - col
D: James Cameron
35mm and 70mm release prints
Dolby Digital / DTS / SDDS
2.39:1 (35mm)
2.20:1 (70mm blow-up)
[Pay attention at the back there, 'cause this one's complicated: A 2-D to 3-D conversion of this film was released in 2012, configured for D-Cinema, IMAX 3-D and Digital IMAX 3-D. The stereoscopic Large Format editions were reframed at 1.44:1, and this was reframed again for 3-D Blu-ray at 1.78:1. However, all D-Cinema prints retained the original 'scope' ratio (whether 2-D or 3-D), and this was also retained for the 2-D Blu-ray version. Phew!]
LES TRIBULATIONS D'UNE CAISSIÈRE
France - 2011 - col
D: Pierre Rambaldi
Elite Scope / J-D-C Scope / Panavision / Technovision
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